dogshaming:

Passport Sabotage

“I didn’t want my mom to leave, so I ate her passport!”

Yesterday, I accepted an offer for a job…

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raptivist:

Heidi the rabbit!

Heidi has arthritis in her knees and hips so to help with the pain, she swims a few times a week!

Sometimes she wears a scrunchie on her ears so that they don’t get wet!

(via fuckyeahloldemort)

niknak79:

Weeeeee

ithinkthereforeiship:

#AND THEN THERE’S THIS ROYAL IDIOT

and that, ladies and gentlemen, is how britain became great

we tricked you all into looking the other way

(via fuckyeahloldemort)

La voglia di baciarti in qualsiasi situazione,
in qualsiasi posto, in mezzo a qualsiasi folla,
a metà di qualsiasi discorso,
davanti a qualsiasi persona, a qualsiasi ora.
È estenuante. Sfiancante. Mi divora.
Ti prego, fa’ che non mi passi mai.
Antigone (via silvy67)

(via batchiara)


“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
this is why performance art is important

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

(via batchiara)